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Awards and Recognition
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Emmys
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Golden Reel Noms
MPSE Golden Reels
Emmy Noms
Year | Title | Type | Category | Win |
---|---|---|---|---|
2022 | Raising Dion | Children's and Family Emmy Awards | Outstanding Sound Mixing and Sound Editing for a Live Action Program | |
2018 | Genius: Picasso | Primetime Emmy Award | Outstanding Sound Mixing for Series or Movie | |
2014 | Cosmos | Primetime Emmy Award | Best Sound Editing & Foley | |
2014 | Modern Family | Cinema Audio Society Award | Best Sound Mixing | |
2014 | Modern Family | Cinema Audio Society Award | Best Sound Mixing | |
2014 | Sons of Anarchy | Golden Reel Award | Best Sound Editing & Foley - Long Form Television | |
2014 | Sons of Anarchy | Golden Reel Award | Best Sound Editing and Foley for Long form Television | |
2014 | Cosmos | Primetime Emmy Award | Best Sound Editing and Foley | |
2012 | Tornado Alley | Golden Reel Nomination | Best Sound Editing in Special Venue Film | |
2012 | Modern Family | Primetime Emmy Award | Outstanding Sound Mixing | |
2012 | Modern Family | Primetime Emmy Award | Outstanding Sound Mixing | |
2012 | Tornado Alley | G.S.C.A. Award | Outstanding Sound Design | |
2011 | Tornado Alley | G.S.C.A Award | Outstanding Sound Design | |
2011 | Terra Nova | Golden Reel Nomination | Best Sound Editing in Television | |
2011 | Modern Family | Cinema Audio Society Nomination | Outstanding Achievement in Sound Mixing for a Television Series | |
2011 | Terra Nova | Golden Reel Nomination | Best Sound Editing in Television | |
2011 | Modern Family | Cinema Audio Society Nomination | Outstanding Achievement in Sound Mixing for a Television Series | |
2010 | Modern Family | Primetime Emmy Award | Outstanding Sound Mixing | |
2010 | Modern Family | Primetime Emmy Award | Outstanding Sound Mixing | |
2009 | The Andromeda Strain | Golden Reel Nomination | Golden Reel Nomination for Best Sound Editing - Long form Dialogue and ADR in Television | |
2009 | The Andromeda Strain | Golden Reel Nomination | Best Sound Editing - Dialogue and ADR in Long form Television | |
2008 | The Andromeda Strain | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2008 | The Andromeda Strain | Emmy Nomination | ||
2008 | Comanche Moon | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2007 | Heroes | Golden Reel Nomination | Best Sound Editing in Television: Short Form - Dialogue and ADR | |
2007 | Nightmares and Dreamscapes | Golden Reel Award | Best Sound Editing | |
2007 | Path to 9/11 | Golden Reel Award | Best Sound Editing in Sound Effects and Foley for Long form Television | |
2007 | Path to 9/11 | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2006 | Into The West | Golden Reel Award | Best Sound Editing in Long form Television - Dialogue and ADR | |
2006 | Into The West | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2006 | CATEGORY 7: THE END OF THE WORLD | Golden Reel Nomination | Best Sound Editing in Long form Television - Dialogue and ADR | |
2006 | CATEGORY 7: THE END OF THE WORLD | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2006 | CATEGORY 7: THE END OF THE WORLD | Golden Reel Nomination | Best Sound Editing in Long form Television - Sound Effects & Foley | |
2005 | SPARTACUS | Golden Reel Nomination | Best Sound Editing in Television Long Form - Dialogue and ADR | |
2005 | 3:THE DALE EARNHARDT STORY | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2005 | SPARTACUS | Golden Reel Nomination | Best Sound Editing in Television Long Form - Sound Effects & Foley | |
2004 | SPARTACUS | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2004 | SAVING JESSICA LYNCH | Golden Reel Nomination | Best Sound Editing in Television Long Form - Dialogue and ADR | |
2004 | SAVING JESSICA LYNCH | Golden Reel Nomination | Best Sound Editing in Television Long Form - Sound Effects & Foley | |
2003 | MONTE WALSH | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2003 | THE JUNCTION BOYS | Golden Reel Nomination | Best Sound Editing in Television Long Form - Dialogue and ADR | |
2002 | THE LOST BATTALION | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2002 | THE KILLING YARD | Golden Reel Nomination | Best Sound Editing in Long form Television - Effects & Foley | |
2002 | ATTILA | Golden Reel Nomination | Best Sound Editing in Television - Effects & Foley Long Form | |
2002 | OPERATION SANDMAN | Golden Reel Nomination | Best Sound Editing - Television Movies and Specials - Effects & Foley | |
2002 | ATTILA | Golden Reel Nomination | Best Sound Editing in Television - Dialogue & ADR Long Form | |
2002 | UPRISING | Golden Reel Award | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2002 | THE LOST BATTALION | Golden Reel Award | Best Sound Editing in Long form Television - Dialogue and ADR | |
2002 | UPRISING | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
2001 | SALLY HEMMINGS | Golden Reel Nomination | Best Sound Editing - Television Mini-Series - Effects & Foley | |
2001 | IN THE BEGINNING | Golden Reel Nomination | Best Sound Editing - Television Mini-Series - Effects & Foley | |
2001 | FOR ALL TIME | Golden Reel Nomination | Best Sound Editing - Television Movies and Specials - Effects & Foley | |
2001 | DRAGON PLANET | Golden Reel Award | Nomination Best Sound Editing - Special Venue | |
2000 | TOM CLANCY'S "NET FORCE" | Golden Reel Nomination | Best Sound Editing - Television Mini-Series - Effects & Foley Dialogue & ADR | |
2000 | PURGATORY | Golden Reel Nomination | Best Sound Editing - Television Movies and Specials - Effects & Foley Dialogue & ADR | |
2000 | THE HUNLEY | C.A.S Award | Outstanding Achievement in Sound Mixing for a Television Movie Mini-Series or Special | |
2000 | ATOMIC TRAIN | Golden Reel Award | Best Sound Editing - Television Mini-Series - Dialogue & ADR | |
2000 | THE HUNLEY | Emmy Award | ||
2000 | THE HUNLEY | Golden Reel Nomination | Best Sound Editing - Television Movies and Specials - Effects & Foley | |
2000 | Shake Rattle & Roll: American Love Story | Golden Reel Nomination | Best Sound Editing - Television Mini-Series - Dialogue & ADR | |
1999 | THE TEMPTATIONS | Golden Reel Award | ||
1999 | PURGATORY | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
1999 | ROUGH RIDERS | Golden Reel | Award Best Sound Editing - Television Mini-Series - Effects & Foley | |
1999 | TOM CLANCY'S "NET FORCE" | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
1998 | THE DAY LINCOLN WAS SHOT | Emmy Nomination | Outstanding Sound Editing for a Mini-Series Movie or Special | |
1998 | MOSES | Golden Reel Nomination | ||
1998 | INTENSITY | Golden Reel Nomination | ||
1998 | ROUGH RIDERS | Emmy Award | ||
1997 | THE RING | Golden Reel Nomination | ||
1997 | DAVID | Emmy Nomination | ||
1997 | HIGH INCIDENT | Golden Reel Nomination | ||
1997 | DEAD MAN'S WALK | Golden Reel Nomination | ||
1997 | RUBY RIDGE | Golden Reel Award | ||
1997 | IN COLD BLOOD | Golden Reel Nomination | ||
1996 | JOHN JAKES: HEAVEN & HELL | Golden Reel Award | ||
1996 | TUSKEGEE AIRMEN | Emmy Award | ||
1996 | STREETS OF LAREDO | Emmy Nomination | Outstanding Individual Achievement in Sound Editing for a Mini-Series or Special | |
1995 | BUFFALO GIRLS | Emmy Nomination | Outstanding Individual Achievement in Sound Editing for a Mini-Series or Special | |
1995 | HEAVEN AND HELL | Emmy Nomination | ||
1995 | ZOYA | Golden Reel Nomination | ||
1995 | TOM CLANCY'S OP CENTER | Emmy Award | ||
1995 | JOSEPH | Emmy Nomination | Outstanding Individual Achievement in Sound Editing for a Mini-Series or Special | |
1995 | TOM CLANCY'S OP CENTER | Golden Reel Award | ||
1994 | ALEX HAILEY'S QUEEN | Golden Reel Nomination | ||
1994 | THE HEART OF DARKNESS | Emmy Award | ||
1994 | ALEX HAILEY'S QUEEN | Emmy Nomination | Outstanding Individual Achievement in Sound Editing for a Mini-Series or Special | |
1994 | RETURN TO LONESOME DOVE | Golden Reel Nomination | ||
1993 | STALIN | Emmy Nomination | Outstanding Individual Achievement in Sound Editing for a Mini-Series or Special | |
1993 | THE FIRE NEXT TIME | Emmy Award | ||
1993 | MISS ROSE WHITE | Golden Reel Nomination | ||
1993 | THE POSITIVELY TRUE ADVENTURES OF THE ALLEGED TEXAS CHEERLEADER-MURDERING MOM | Emmy Nomination | Outstanding Individual Achievement in Sound Editing for a Mini-Series or Special | |
1993 | JEWEL | Golden Reel Award | ||
1992 | CONAGHER | Emmy Nomination | Outstanding Individual Achievement in Sound Editing for a Mini-Series or Special | |
1992 | PARKER LEWIS CAN'T LOSE | Emmy Nomination | ||
1992 | CRASH OF FLIGHT 7 | Golden Reel Nomination | ||
1991 | SON OF THE MORNING STAR | Golden Reel Award | ||
1991 | SON OF THE MORNING STAR | Emmy Award | ||
1989 | LONESOME DOVE | Golden Reel Award | ||
1989 | LONESOME DOVE | Emmy Award | ||
1989 | STEAL THE SKY | Emmy Nomination | Outstanding Sound Editing for a Mini-Series or Special | |
1988 | EARTH STAR VOYAGER | Emmy Nomination | Outstanding Sound Editing for a Mini-Series or Special | |
1988 | THE GREAT ESCAPE | Golden Reel Award | ||
1987 | OUT ON A LIMB | Emmy Nomination | Outstanding Sound Editing for a Mini-Series or Special | |
1987 | HOUSTON NIGHTS | Golden Reel Nomination | ||
1986 | ALICE IN WONDERLAND | Emmy Nomination | Outstanding Sound Editing for a Mini-Series or Special | |
1986 | UNDER SIEGE | Emmy Award | ||
1984 | THE DAY AFTER | Emmy Award | ||
1983 | THE BLUE AND THE GRAY | Emmy Nomination | Outstanding Film Sound Editing for a Limited Series or Special | |
1982 | MARIAN ROSE WHITE | Emmy Nomination | Outstanding Achievement in Film Sound Editing | |
1982 | INSIDE THE THIRD REICH | Emmy Award | ||
1982 | THE CAPTURE OF GRIZZLY ADAMS | Emmy Nomination | Outstanding Achievement in Film Sound Editing | |
1977 | RAID ON ENTEBBE | Emmy Award |
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